These samples
are kindly provided by Chris
Delis, an in-demand NYC guitarist. Chris has appeared on Broadway
in RENT, Tommy, HairSpray, Footloose, Aida, The Full Monty, Movin' Out and Xanadu as one of the guitar 'seats'. He is a very talented artist in his
own right, and has released a fantastic solo CD called "On The Brink" on CD Baby which you can purchase by clicking either of these links, depending on whether you want a CD or individual MP3s."Chris Delis on Apple iTunes store" . We are very proud of the fact that for most of the songs on this album Chris used his Guytron GT100. Chris also gigs around
the tri-state area performing his own music.
NEW! Guytron GT-100 F/V Sound Samples
High Gain clip #1 Suhr Strat with single coils at low volume and fairly high gain settings
High Gain clip #2 Suhr Strat with single coils at low volume and fairly high gain settings, cleaned up with guitar volume.
Guytron B Chan low gain This is somewhat reminiscent of a particular expensive D-type boutique amp.
Guytron FV Plexi Clean This is a clean Strat on the Plexi setting of the amp F/V settings at (2,2)
Guytron Plexi 1 Plexi sound with humbuckers
Guytron Plexi 2 Plexi sound with humbuckers, and more gain
Guytron GT-100 Sound Samples
Chris has provided us with some details regarding the clips below which we share here: The amp is
the GT100 Xmod. The speaker cab used is a 2x12 THD cab with Celestion Classic
80 speakers. The 1x12 cabinet used is an early 80's Mesa Boogie Thiele design
with a Celestion 25W Greenback. I used three guitars: my '74 Fender Strat
with DiMarzio Virtual Vintage Pickups and my '98 PRS McCarty with stock
pickups, strung with Ernie Ball's, .010-.046, and a Tom Anderson Alder Classic.
All the drums are standard loops from Sonic Foundry's Acid software program
with the exception of the Thrill Is Tron and Long Tron Running which are
midi sequences. The bass used is an Ibanez Roadstar. I close mic'd the cabinet
is with a Shure SM57 through a Mackie 1402. From there I used an FMR RNC
compressor just to limit the signal and not overload my recorder, a Roland
VS1680. No eq was used and I added some plate reverb. The volume was pretty
low. The settings I use for the most part are as follows: 12 would be 12
o'clock, etc... A Channel Gain 1-3 , Tone 1-3, Level 2, B Channel Gain 12-2,
Tone 12-2 Level 2, Master section Volume 10, Treble 7-8, Midrange 10, Bass
10, Presence 10-12. Keep in mind on some of the samples I was changing the
guitar volume to show the response of the amp. It really varies with the
guitar, player and cab. |
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Funk1
Funk2
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PRS both pickups A channel, bridge pickup B Channel, THD cab,
SM57, Mackie 1202VLZ Pro, FMR RNC to Roland VS1680.
PRS both pickups A channel, THD cab, SM57, Mackie 1202VLZ Pro,
FMR RNC to Roland VS1680.
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Bluz
Take2
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Early 70's Strat, neck
& bridge positions, through the A channel and then the B channel.
The signal chain was the amp, THD cab, SM57 (close mic'd), Mackie
VLZ 1202 as a mic pre, the FMR RNC used for limiting and then the
Roland VS1680. Everything is flat and I added a little bit of verb. |
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PRS1
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PRS McCarty, neck and
bridge pickups through the B channel.The signal chain was the amp,
Mesa cab, SM57 (close mic'd), Mackie VLZ 1202 as a mic pre, the
RNC used for limiting and then the Roland VS1680. Everything is
flat and I added a little bit of verb. |
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Nigeria
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Tom Anderson bridge
and bridge and middle, A Channel for rhythm, B channel for everything
else, THD cab, AKG535, Mackie 1202VLZ Pro, FMR RNC to Roland VS1680..
Copyright © Chris Delis. |
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A
Channel Strat
A
Channel Strat
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Strat, Mesa cab, SM57, Mackie 1202VLZ Pro, FMR RNC to Roland
VS1680.
Strat, THD cab, SM57, Mackie 1202VLZ Pro, FMR RNC to Roland VS1680.
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A
Channel PRS
B
Channel PRS
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(A Channel) PRS, both
pickups on, Mesa cab, SM57, Mackie 1202VLZ Pro, FMR RNC to Roland
VS1680.
(B Channel) PRS, treble and neck pickups, Mesa cab, SM57, Mackie
1202VLZ Pro, FMR RNC to Roland VS1680. |
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Heavy1
Heavy2
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Strat neck and bridge pickups, A & B Channels, THD cab, SM57,
Mackie 1202VLZ Pro, FMR RNC to Roland VS1680.
PRS bridge pickup, B channel, THD cab, SM57, Mackie 1202VLZ Pro,
FMR RNC to Roland VS1680.
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The
Thrill Is Tron
Long
Tron Runnin'
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(These two tracks
are DIRECT RECORDINGS with no actual speakers used)
GT100 EFX SEND into my Boss GT5 using the Marshall 4x12 cab simulator
with some reverb. (Thrill) PRS McCarty, B Channel instrument line
out to a Boss GT-5 using the Marshall 412 speaker cab model only.
Straight to Roland VS1680. (Long Tron) A Channel to B Channel for
solo. Everything else same as above. |
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